PATRIZIA SERRA, 1985
Ed. Galleria, Spazio Temporaneo, Milan, 1985.
Ed. Galleria, 8 + 1, Mestre, Venice, 1986.
Ed. Galleria, Miralli, Viterbo, 1987.
(...) Then the sign, scratched and
subtle as a vein, no longer in the service of the organic development
into space of a computed rhythmic definition, unfolds nervous and
elegant, ambiguous, in an ever new void, in deep and distorted
transparences unveiled to the viewer as though in a concave mirror. The work is directed at a
profound enhancement of interpretation, becoming a fragment in the
course of a thought, taking on evocations born from rhythms breaking,
from devoting all energy to capturing the instant of perception and
directing it at its own allusiveness.
In the rolls, varying levels of perception receive many different
annotations of colour, veined and marked by structures, which the
incisive and excited mark breaks into irregular area. In the fragments, various scraps
(cuttings) are assembled in the suspended equilibrium of forms,
furnishing an example of how subtlety and transparence can evoke,
enhancing perception, many divergent and instantaneous experiences
which, again caught up in the work's becoming, give rise to other
experiences. Time and space
contribute to delimiting the area of intuition where the artist exerts
his intention; he perceives their relation outside the optics of
sequence and definition.
Paolo.Gubinelli@inso.it
giosue@giosuemarongiu.it
www.giosuemarongiu.it
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2000 Giosue' Marongiu . E' vietata la riproduzione anche parziale.
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