52

ELVERIO MAURIZI, 1978

Personale, Ed. Pinacoteca Comunale, City of Macerata, 1978.

         (...) The artist's papers, in brief, prove to be products of a careful meditation, not only on motivations surfacing from the deep, but also on the ideas stratified in the author in interpreting a precise vein of European and American abstractism. In realisation, the reflection of that search in which personal cadences are recognised, qualified by certain pragmatic sense, the successive verification evidences the aforementioned cultural contributions, at the same time illustrating the autonomy and incisiveness of language.

         Carlo Belli wrote that "art does not have to be sensitive, but instead arouse sensitivity." Paolo Gubinelli uses his emotions maieutically, transcribes them following a harmonic rhythm amplified by those principles of truth and logic chosen as support of action, and proposes them as occasion for careful reflection. Their interpretation therefore requires a meditated disposition "to meditate content, motivations and stimuli." To reach this goal, the author even utilises the luminous values of the sheet, considered as uncontaminated reflection of a chromatic summa capable of enclosing in the white, often dazzling paper, the contemplative integrity of a "quiet and clarifying" imaginative purity, instrumentalised by the dynamic intuitiveness of communication.

an other: put here..   1    2   3

Paolo.Gubinelli@inso.it

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